Yet the elevator is modern, surely in compliance with health and safety regulations. But there’s no way of telling exactly where the mosaic plaques went, the ones designed by Georges Braque, who also supervised their installation. I don’t want to disturb you … It was before the war, I’m sure there are few traces left … Of course I understand if it’s not possible.” I detected the ambivalence in my own voice. Nineteenth-century works were shown on the mezzanine; contemporary art, on the ground floor. Paul Rosenberg: A Family Memoir of Art and War, Read more about the story of Nazi looted art on, MY GRANDFATHER’S GALLERY: A Family Memoir of Art and War. If visitors were unsure about Braque or Léger, Paul Rosenberg invited them upstairs to see softer-contoured works by Edgar Degas, Pierre-Auguste Renoir, or Auguste Rodin.

I’d noticed various shops on that street—ice cream, pizza—but I’d never stopped to take a closer look. I couldn’t imagine that three years later I would unveil a plaque on this very building that I had not yet entered. He hoped they might buy some of these, which would allow him to support his unknown friends, such as Picasso or Marie Laurencin, the muse of the poet Guillaume Apollinaire. The floor is patterned with marble mosaics made with yellow stones. Please enable JavaScript in your browser's settings to use this part of Geni. Not one to take much medication, and never having stepped foot into an emergency room, Paul’s wife knew it was serious. The stairway within the gallery, the one with the cast-iron banister, seems to have retained its original look, from the 1930s, when my grandfather did some elaborate renovations. In 1927 E. Tériade, a famous critic and art publisher of Greek descent, described the Galerie Rosenberg in “Feuilles volantes,” the monthly supplement of the influential journal Cahiers d’art: “We are introduced into a huge room, high-ceilinged, bare walls, naked light, a room in which sober brown curtains weigh down on the collection, in which two solitary armchairs upholstered with dark velvet reach toward you like two grand inquisitors; no, they’re not reaching toward you, they’re going for your throat, as masterpieces do. Son of Simon Mathias Rosenberg and Frieda Rosenberg For each exhibition I shall publish at my own expense a catalog of the paintings, sculptures, furniture, etc.” The critic Pierre Nahon stresses Paul’s desire to establish a connection between French painting of the past and the modernist trends of the twentieth century, noting that in the late 1930s Paul had on his walls and in his inventory a collection of Géricault, Ingres, Delacroix, Courbet, Cézanne, Manet, Degas, Monet, Renoir, Gauguin, ToulouseLautrec, Picasso, Braque, Léger, Le Douanier Rousseau, Bonnard, Laurencin, Modigliani, and Matisse.

By then it had endured the sinister events that I am about to relate, events with which my grandfather could never make peace. Hurricanes of solitude, of austerity, pass through the room … Paul Rosenberg: he’s dressed in black. Are they original? Husband of Mathilde Marie Rosenberg It is now a boardroom for Veolia executives. He helped the rapper produce the Slim Shady LP in 1999, which launched Eminem's career.

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