Instead, twist up the gain and hear the superlatives spew forth — bone-crushing, face-melting, earsplitting. The controls are easy to use, features true bypass circuitry and it’s built like a tank – a great combo indeed. What you get is a more distorted sound than other pedals, with added sustain. Dripping with rich harmonics, the M89 contributes color and character to your tone at low levels; and, driven all the way, it delivers a formidable rock ‘n’ roll growl. Gates allow you to set a threshold under which sounds are not allowed through. When it’s time for a new distortion pedal for your bass rig, give your Sweetwater Sales Engineer a call at (800) 222-4700. Nothing gives you warm fuzz and distortion tones like the original, the Electro Harmonix USA Big Muff Pi Fuzz / Distortion pedal! This has been designed in conjunction with Keeley Electronics and Mick and Daniel over at That Pedal Show. Both of the effects have a level control beneath them, and there’s also a blend so you can mix unaffected signals with your fuzz-driven signal. This pedal provides far more touch sensitivity than its predecessor as well as more complex overtones without ever changing the tone of your amp. 1960s style design is in keeping with the effect. Spongy and thick, the Zeus’s sub-octave generator spews forth a resounding rumble that could shake the Parthenon to the ground.
It has just three controls: volume, fuzz, and tone as well as the footswitch to turn it on or put it into true bypass, and it’s easy to use. The Electro-Harmonix Crayon Full-Range Overdrive (76) is a full range overdrive that busts out a really rich tone that adds so much more to your sound. Note: Clicking the above links will take you to further information, current prices and customer reviews on Amazon. Tone purists rejoice! But overall, the whole purpose of an overdrive pedal is to provide you with the same dynamic and response as a driven tube amp. The Karma Suture is similarly priced to the Fuzz War and the Hoof. If you’re going to use it for recording, or if you don’t have a separate EQ unit, it might be worth looking out for a product with EQ settings. For obsessive tone tweakers, there are few pedals as versatile as Source Audio’s Aftershock Bass Distortion pedal. Maxon are the team behind the original OD808 overdrive circuit - the tone that made Stevie Ray Vaughan famous, which later became the Ibanez TS808 Tubescreamer – arguably one of the greatest overdrive pedals (only improved upon by the TS9) ever made. The Fuzz Tone pedal was released in 1962 and didn’t really catch on until Keith Richards used one on the opening riff of “Satisfaction” and the floodgates opened. So, now you know what you’re looking for (or not looking for), here’s a round-up of some of the best ones on the market. Volume, gate, bias and enhance allow you to fine-tune the settings. The Drive circuit features multiple gain stages so you can notice the difference with each knob tweak and the boost provides a tonne of extra headroom and allows for a distinct midrange voice. You can play each pedal independently as well, so there’s plenty of tonal options. Sweetwater Sound Volume, sustain, and tone controls allow you to adjust the effect to suit your style. They’ll answer all your questions and get you the perfect pedal pronto! They work with Blues, Rock, Metal - everything - able to retain the tone of your amp and your guitar but just giving it that extra power and mojo when you need it rather than changing it with distortion. Darkglass pedals have become ubiquitous fixtures on the pedalboards of metal and hard rock bass players, and for good reason — they’re jam-packed with attitude and capable of slicing through the densest auditory fields. The ‘60s design makes it look groovy and is in keeping with the effect. This ensures that any lost dynamics and tone (often caused by cables) is restored. It will be less suited to those who are looking for something that’s the ultimate in dirtiness. When you’re distorting everything that comes through your signal to the max, a gate can help you to ensure that nothing unwanted is getting maximized in this way. It’s a sturdy little unit in a solid metal housing and can be powered by a 9V battery or using a 9V adapter. If you’re using a valve amp, and you want to push your tubes into that lush saturation without having to run over to the amp and turn the gain up, then an overdrive pedal is a must-have and an integral part of many pro-level guitarists sound. Get Directions | These include industry-standard options and some newcomers to the world of Overdrive. This is trackable and normally arrives within two to four days. The key difference between this and other overdrive pedals, is the fact it provides an open frequency range, rather than a customary mid-focused sound. Dual blend controls let you balance your raw signal, fuzz, and sub-octave for outstanding tone, no matter the situation. To get this effect, they use transistors to add gain to your signal which adds harmonics to your sound as soon as it is amplified. A streamlined four-knob unit, the Scrambler is a great gigging pedal for twisting up a range of killer amp-distortion tones on the fly.
A mashup of Red Witch’s renowned Fuzz God II pedal and an analog sub-octave generator, the Zeus bass fuzz pedal sends out bolts of crackling silicon fuzz with a variable sputter control for adding apoplectic zaps of sonic lightning. The Small Sound/Big Sound Buzzz and Blackarts Toneworks Supreme have switches between the two types of transistors, and the EarthQuaker Devices Hoof is made from hybrid circuitry which offers you the best of both worlds. Ruggedly built, like all of MXR’s stompboxes, with a blazing white LED staring out, the M89 is made to be onstage and underfoot. We take a closer look at this iconic pedal and why you need one.
These pedals venture where distortion daren’t and creates sounds that overdrive wouldn’t dream of. The gain controls how overdriven your sound is, the starve adjusts your feedback and the volume sets your output level. Happy customers, one piece of gear at a time! This results in a harmonically rich signal that keeps the sound of your guitar and amp intact whilst adding a certain ‘Sweet’ sound – hence the name. Sturdy and simple which you can trust to survive a knock or two. You can add everything from a subtle boost to all out saturation depending on what you need. This is one of the best overdrive pedals out there for players who like a unique sonic palette ranging from a subtle valve push to a high level, cranked amp and everything in-between. There are two footswitches, one which turns it on or into true bypass and one which can be set to either tone blast or octave shift, plus there are gain, starve, volume and treble dials filling the bulk of the pedal. High, crunchy sounds thanks to the silicon transistors. It has four knobs: tone, shift, level, and fuzz. Posted on: 1 May 2019 A budget friendly, space saving option for those with small, or busy pedal boards. When she's not teaching or writing for Zing, Roz writes and plays in an alternative art-rock band. , Compression and gate controls can take a bit of getting used to. The Tube Screamer is the industry standard overdrive pedal. 3-band EQ gives you excellent control over the tone of your affected instrument. Germanium transistors offer vintage sounds. It’s very versatile which will be highly suited to tech-oriented guitarists who like to get their hands as well as their signals dirty. And that’s our best overdrive pedals list! Germanium transistors offer a vintage tone. Trying to find the best distortion pedal for your sound? It’s easy to shift between the two at the flick of a switch, which is placed between the volume and fuzz controls. We take a look at all the differences between overdrive, distortion and fuzz to help you figure out which pedal you need. Try it out and see why pro-level guitarists love it. It has a boost, volume, gain, and a ‘WTF’ dial. The shift control works in conjunction with the tone control by setting the frequency response, so you can choose whether it’s highs, mids or lows that you emphasize.
If you’re looking for something that’s true to the ‘60s, Death By Audio’s pedal is the most alike to original models, with its three controls and the circular design. The boost dial allows you to set a level that you can ‘boost’ to at the click of one of the footswitches. The Swollen Pickle will suit guitarists who want some high-gain sounds and want a level of controllability over them. Additionally, the B3K V2’s grunt switch, when engaged, undergirds your tone with a thick slab of low end that will rattle the floorboards. This slim pedal, which is no bigger than a chocolate bar, fits easily on your board and provides you with 2 different overdrive sounds. It can flick between germanium and silicon settings, and also has a hi/lo gain toggle and octave toggles. Hidden in the chassis, a tweakable gate control can be used to tame unwanted noise, or it can be cranked for a buzzing, dying-battery effect that swarms from your amp like a hive of provoked hornets.
The bias controls take you from a fat-sounding fuzz to a cleaner, more modern one – and the enhance control gives you yet more control over the shape of your tone. There are two main kinds: those that use germanium transistors and modern alternatives that use silicon. If you love the sound of the BD-2 and Angry Charlie pedals but you’ve only got room for one pedal – get this! Will suit lead guitarists who might need to crank things up all of a sudden in a solo, and let out some extreme sounds. A very cool option with the usual controls; but what sets it apart is the inclusion of gate, bias, enhance and even a 3-band EQ. And, like some of the other pedals on this list, the Scrambler has a blend control for striking the optimal ratio of wet-to-dry signal. Its got true bypass, so when you flick the footswitch ‘off’, you don’t need to worry about unwanted humming sounds. It will suit those who want something simple but effective; it will be less suited to those looking for one they can endlessly tweak. This classic-style fuzz machine calls up the woolly richness and sustaining sonority that have inspired legions of bass players to fold fuzz into their tonal repertoires. The tone knob changes the timbre of the sound from extremely bassy to screamingly high. The Fuzz pedal is the only option when you need REALLY gritty dirt. There are some hybrid options that let you toggle between germanium and silicon settings, allowing you to effectively have both effects in one box.
If you love the sound of your amp, but you want to push it a bit harder without adding too much distortion to your sound, then this is ideal. Here are our 6 best fuzz pedals you must try before you die, Read More ; Differences Between Overdrive, Distortion & Fuzz. Silicon-based ones, on the other hand, are a newer design, and much more predictable in terms of tone.